Monday, April 15, 2019

  ....Sara at the Coliseum.... 

Friends, Romans, put down your beers. 
I stand here before you 
with a story of great import. 
‘Tis a telling of heroic proportion… 
nay, legend. 

Visualize if you will, the Coliseum. 
A Coliseum soaked not with blood, 
but with hooch. 
Yes, hooch. 
Booze. Suds. Liquor. Libation. 
Alcohol if you will. 
Take a hit. 
Cannonball that. 
The next warrior 
is about to enter the arena. 

Kick an empty beer bottle across the floor. 
Ah… Now that’s poetry. 
Sling a thousand bottles down the Coliseum’s steps. 
That’sa proper fanfare. 
Yes, and there amidst the 
din of shattered glass… 
Listen.
For lo, but beneath earthy floorboards 
you can hear the roar of the beasts, 
and how they bellow for more spilt pilsner! 

And now, 
out from the ranks of 
our downed and vanquished gladiators, 
A chant arises. 
“Sara. Sara. Sara.” 

[And at this point , 
the narrator is forced to interject with, “Sara? 
What the heck kinda’ 
name for a warrior is that?”
Never-mind.]

Yes.
The games call for another victim.
And yet 
there is no victim
What you have here 
is the deadliest of poet warriors. 
No mere bone cruncher, 
but poem cruncher. 
Her words are sharp. 
Her verse heavy as a lead mace. 
Yeah, but she strides forward 
into the arena and 
an ocean of ankle deep lager 
rises to part before her. 

Her armor of choice is unusual. 
Yes, sports fans. 
Today Sara appears to have chosen 
an oversized knit cardigan, 
and beneath that, 
low-cut denim jeans 
with just a hint of a dark t-shirt. 

Menacing stuff indeed, 
but such sinister fashion 
has been lost on the 
inebriated masses. 
Perhaps this nondescript apparel 
was designed to make her 
appear invisible. 
Indeed,
though her fellow gladiators 
know of her presence all too well, 
to the drunken hordes 
arrayed about the coliseum, 
she is persona non grata. 

No matter. 
Sara circles around to square off 
before an archaic microphone 
circa 2003 BC,  
and settling into a broad stance, 
words begin to dart forth 
and thrust outward. 
Where all previous poet combatants 
had chosen bludgeoning verbiage 
via heavy bladed broadsword, 
Sara’s attack comes by way of 
exquisite rapier. 
Its shimmering surface 
projects a vocal glissade 
out to the arena’s far reaches. 

Indeed, there at the back of the Coliseum, 
one of the inebriated spectators pauses 
mid broken bottle to ocular socket 
and remarks, 
“Hey dude! She’s talking’ ‘bout sex!” 

Yes. Oh, Yes. 
Sara’s talkin’ ‘bout sex. 
The punters way up in the bleachers 
ease back their oral fixation 
upon long neck liquid phallus’ 
and rack bleary eyes 
towards the lethal siren 
behind the microphone. 

The murmur from the back row 
sweeps forward. 
“Sex?
Oh yes. Sex good. 
Sex is our friend. 
We like sex.” 

Yes. Sara’s talkin’ ‘bout sex, but hey! 
This ain’t a dirty poem. 
Hell, the dirty poems 
are up in the bleachers. 
[Oh yea, and also what’s going on 
underneath that table right there.]

No. Sara’s serving up clean sex. 
Keen edged clean sex that 
skewers the soft pink eardrums of 
each and every booze binging Roman. 
[Um…
Except, you know, 
for those there distracted 
beneath that table.] 

A poetic martial art, 
her wordsmith utterances slither forth 
to slice Roman cerebellum with 
double edged XY chromosome. 

Yes. If Sara bleeds, 
she bleeds pure estrogen. 
An estrogen of such might 
that it vanquishes every 
testosterone laced, 
booze braced poet 
who ever preceded her. 

And then… 
And then some blotto Roman 
pulls his thumb from his waistband, 
raises it above the table before him 
and wraps it around the lip 
of a longneck Budweiser. 
With this, one hundred thousand 
toga attired bacchanalian sots follow suit. 

Yes. For a few seconds, 
poetry rolled forth over 
the entire tanked up Roman empire. 
For a few seconds, 
culture and civilization reigned. 
For a few seconds… 

Then some drunken idiot in the back 
got out his fiddle, started to play, 
and the lady at the mic 
was swept away to oblivion. 

Rome may be burning, 
but what the fuck. 
Put another keg on the tap. 
Bring another poet to the slaughter. 

Sara
has left 
the building. 

c 03 Jack Hubbell

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